NO PASSIVE
MINGLING


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MA CURATING CONTEMPORARY ART
2024
ROYAL COLLEGE OF ART

  
  

PRESS RELEASE
 
This summer, we are pleased to present No Passive Mingling, a daily private view experience, including works by contemporary London-based artists Sarah Duffy, Faissal El-Malak and Karl Liang. We invite visitors to come prepared with high spirits and open minds, and we promise to provide a space for revelry and co-mingling with artists and friends from across the city and beyond. No Passive Mingling kicks off on 19 June and continues each day until 23 June.

During the repeated activations,* guests can expect an awe-inspiring environment for artistic and interpersonal engagement with refreshments. After receiving a VIP ticket enter the space to enjoy the seductive light and soundscape of Chinese artist Karl Liang, the mind-bending visuals of multidisciplinary Palestinian artist Faissal El-Malak and answer a phone call or two to chat with others and British sound and performance artist Sarah Duffy, aided by a series of prompts.

This special, daily recurring temporary opening celebration is facilitated by a group of international curators – Albby Hanxu Zhang, Giada Holland, Hee Jo Kang, Tai-Hsiang Huang, Sabina Eastman and Safiyah Abaalkhail – from the MA Curating Contemporary Art at the Royal College of Art.

We look forward to seeing you there.

*The space is open for passive viewing from noon when we’ll be recovering from the previous day’s revelry. Come by during opening hours for the real entertainment.

Private View 19 June 6-9 pm

20-23 June 2-5 pm

Venue: Royal College of Art Battersea Campus, Studio Building, STU 1.004, entrance  Howie Street


 

















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MESSAGE 
FROM THE 
CURATORS 

In the art world, meeting people, engaging in conversation and collaborative reflection tend to happen during fleeting moments. Visiting exhibitions, museums and collections is often seen as a solitary and silent activity that may foster creative thinking on a highly personal level. Activation by a greater presence of people and conversation takes place during exhibition openings, private views, and more recently, late-night programming initiatives. These events mark singular points during which the – written and unwritten – rules of the gallery or museum space are temporarily loosened or even suspended. Rooms are crowded with people, drinks are circulated, and chatter and music fill the space. The very next morning, that same space is once again sparsely occupied, conversation is kept to hushed tones and interaction returns to quiet forms of contemplation. 

This project takes the format of an extended gallery opening, recreating, day after day, the kind of social attraction of a private view. You, our audience, are essential participants in this environment, where we wholeheartedly invite you to interact with the artworks, each other and us, the curators – even though you may not know who we are. Creating the kind of buzzing fictional social event that we wish to see at the institutions we interact and engage with, our project aims to actively generate meaningful experiences together.  

As a group we immediately identified our shared desire for in-person partnership and collaboration, reflective of our collective fatigue with the virtual communication that characterised the Covid-19 pandemic. In response to our personal needs and those of other art lovers, we present an experience that relies on the interaction that real-life exhibition openings offer. As creatives from across the globe who came to London for the sole purpose of being part of this metropolitan art world, we hope that our group’s desire for this experience can be shared with diverse communities. 

The artists we have collaborated with have inspired us in the generation of this project. Their work is intended to provoke and encourage our principle of active co-mingling, reflecting the themes and critical social dynamics of the gallery openings we all frequent. 

We hope that you enjoy your time with us; we’re so glad you came!


 





















What are you doing here? 

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MEET 
THE 
CURATORS

 
Safiyah Abaalkhail is a Saudi artist and aspiring curator currently based in London. Her practice and research center around notions of decolonialism and themes of orientalism as well as the exploration of alternative spaces and the promotion of global cultural collaboration. She has a BA in Fine Art from Chelsea College of Arts.


Sabina Eastman is an artist and emerging curator originally from Chicago, USA. Her research explores public programming and exhibition design with a focus on institutional critique and restitution. She is a graduate of Pitzer College in Claremont, California, and received her BA in Art History and Studio Art.


Giada Holland is an artist and curator from St. Maarten, the Caribbean. She is interested in the pedagogy of play and how it translates through collaboration. She is a BA graduate of Chelsea College of Arts UAL with a degree in Fine Art.


Hee Jo Kang is a researcher based in Seoul, South Korea and London. She has an interest in lens-based work, including film and video. Hee Jo received her BA in Art Studies from the College of Fine Arts, Hongik University, Seoul.



Tai-Hsiang Huang is a researcher from Taipei, Taiwan. His research is focused on the geopolitical issues of East Asia and the concept of the Global South. He received his BA from the National Taipei University of Education in 2021.


Albby Hanxu Zhang is an aspiring curator from Beijing, China. She has her BA in graphic design from The School of Visual Arts in New York. Her current research focuses on sensorial psychology in curation.


















 





   

Meet the Artists

Sarah Duffy (b.1986) lives and works in London. Duffy graduated in 2013 with an MFA from Goldsmiths, University of London; after which she became the inaugural recipient of The Acme Goldsmiths MFA Studio Award. Projects and exhibitions include: Solo Performance Om3am x Sarah Duffy hosted by Hans-Ulrich Obrist; Solo performance Enjoy The Silence at The Camden Arts Centre, London; The Ol' Switcheroo at Jupiter Woods, London; The Frequency of Magic at out_sight Gallery, Seoul; and Nothing is, Everything Just Has Been Or Will Be at The Korean Cultural Centre, London and Berlin. In 2020, Duffy joined the 5 year Live/work Programme at the Acme Fire Station in London, UK. Other international and national residency programmes include: The Seoul Museum of Art in 2018; A Triangle Network/ Gasworks International Fellowship at Lugar a Dudas in Cali, Colombia in 2019; Artlink, Fort Dunree in Donegal, Ireland in 2021; and a fellowship at Schloss Wiepersdorf in Brandenburg, Germany in 2022. In 2023, Duffy was AIR at ICST at Zurich University of the Arts where she continued her ongoing work in spatial sound. In November 2023, Duffy returned to Zurich for the first public iteration of her ongoing immersive sound project ' The Harvard Sentences', which was performed for an audience on a 28-speaker array in Concert Hall 1at ZHdk. 

OPERATOR, 2024
Performance art

“DIAL THE RED PHONE. DIAL THE BLUE PHONE. DIAL THE BLACK PHONE.”


Faissal El-Malak (b. 1988) is a Palestinian multidisciplinary artist based in London. Interested in themes of memory and the metaphysical he sources images from the subconscious through his work as a healer. He completed the MFA in fine art from Goldsmiths University of London in 2023 with the support of the Tashkeel Scholarship Fund where he was awarded the Warden’s Prize for his degree show. Previously, El-Malak’s work in fashion was acquired by the Victoria and Albert Museum in London in 2019 making him the first Palestinian fashion designer to integrate their permanent collection.

Who moves up the social ladder? 2024
Vinyl Print

“The image of a ladder aligns to the visitor's point of view as soon as they enter the gallery space. They are then faced with the impossibility of this tool that gets distorted as they move around the space. This distortion is intended as an invitation to experience the space freely by letting go of the initial alignment towards a goal and expectation.”


Xinghao (Karl) Liang (b. 1999 in Beihai, China) lives and works in London. One of the experimental collective Successful Artists, he studied at the China Academy of Art (2021) and Chelsea College of Art in London (2023). Since 2022, his practice explores different media, from installation to performance, painting to graphic design, music to video. The artist is interested in the possibilities of new digital technologies, post-humanism, love, empathy and evolutionary concepts, wanting to stand in the shoes of ‘old humanity’ and pick up on the ‘useless emotions’ that remain in times of war, disease and the seemingly unstoppable tide of big data. 

Proactive Loops, 2024
Laser lights, lighting console, audio

"’Proactive loops’ is a live ‘happening’ work, the duration of which coincides with the duration of the exhibition, but which can hardly be defined as an ‘art work’. To be precise, it is a system that allows the work and the audience to dance happily together.”








  









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ACTIVE MINGLERS   

“are you AI?!”
Now here’s someone taking a sip of their wonderful - get this - mocktail ! Wild night out hey?
I wonder if white shorts knows they’re  being watched during their phone call?
Wonder what they are chatting about across the room. Black phone and Blue phone sure are using up the minutes!
Do you know the artist?
G.V.N. esteemed curator and cheeky reveler at the private view of ‘NO PASSIVE MINGLING’
What’s this??? People out at ‘NO PASSIVE MINGING’ doing what? - You guessed it ! ACTIVLEY MINGLING !!!
Get a load of this stance! Bracing for the phone call ahead i guess !
Takes 2 to tango: Girl in red is laughing it up with a mystery caller - who could it be?